f/Egor: More Bartlett’s Rejects

Concision is a virtue. Some writers express themselves thoroughly with only a laconically minimalist assemblage of words. These wordsmiths — deities of pithiness — are my inspiration. For unlike them, I am an adjective junkie cavorting in the company of the loquacious. I imbibe in drunken orgies of word gluttony and succumb most decadently to the pleasures of literary contrivance, chasing after bare naked semantics and groping at nubile symbolic metaphors — vices all glaringly illuminated by this very paragraph.

Of the 19 articles I penned previously for the Leica blog, 18 of them feature prose with an unequivocally purplish hue. The only one that didn’t — the one in which I managed an air of dignity and sober succinctness, was a little post called “Bartlett’s Rejects.”

At the time, I described the article as “nothing more than a mathematically-challenged baker’s dozen of my own personal photography quotes — unadorned with tedious explanatory prose and contextual verbiage.”

The article was neat, tidy, mussless and fussless. 14 little thoughts that each spoke volumes despite their brevity. So after my recent 3-part, 10,000 word Monochrom review, what better way to celebrate my 20th f/Egor article than with a sequel to my one and only exercise in linguistic economy?

And so, to the blare of imaginary trumpets, I present for your copying, pasting and tweeting pleasure… More Bartlett’s Rejects:

“The most important element in a photograph is the one you can’t see.” - grEGORy simpson

“Never let truth ruin a perfectly good photograph.” - grEGORy simpson

“A monkey could take the same photos I do — my skill is in recognizing which are worth sharing.” - gEGORy simpson

“I’m much more concerned with what a photograph says than what it looks like.” - grEGORy simpson

“I’d rather have a phone in my camera than a camera in my phone.” - grEGORy simpson

“Photography is story-telling with your fingers crossed.” - grEGORy simpson

“I admire people who are astute enough to criticize my photos for all the same reasons I like them.” - grEGORy simpson

“A photographer who judges others by the cameras they use would be better off owning an endoscope.” - grEGORy simpson

“Imagine how visually rich the world would be if photographers took their craft as seriously as they take themselves.” - grEGORy simpson

“If your prints aren’t good enough, you’re not distant enough.” - grEGORy simpson

“My primary photographic motivator is a fear of irrelevance.” - grEGORy simpson

“No matter how awful they are, I won’t discard photographs — that would be akin to denying my own existence.” - grEGORy simpson

“I know I’ve done something worthwhile when a large number of strangers feel compelled to tell me how horrible I am.” - grEGORy simpson

“I don’t photograph what I see, I photograph what I feel.” - grEGORy simpson

-grEGORy simpson

grEGORy simpson is a professional “pounder.” You may find him pounding on his computer keyboard, churning out articles for both the Leica Blog and his own blog at ULTRAsomething.com. Or you may hear him pounding on a musical keyboard, composing music and designing new sounds. Frequently, he’s out pounding city pavement and photographing humans simply being. And that sound you hear? That’s either the sound of him pounding on doors trying to get hired or, more likely, it’s the sound of him pounding his head against the wall when he doesn’t. Fellow pounders are welcome to follow along on the ULTRAsomething Facebook page or G+ account.