Meet the Leica Meet: Robert Mertens, Transformation and Motion

This interview is part of a series in which Olaf Willoughby talks with Leica Meet members about their photographic projects, their stories, goals and learnings along the way. This month’s interview is with Robert Mertens, a photo artist who teaches Leica Akademie Masterclasses in Wetzlar. Robert’s exciting explorations into abstract and surreal imagery take us down a road less travelled by many Leica owners.

Q: To start can you give me an overview of your project, its title and its main theme?

A: For many years the key topics for my works have been “Transformation and Motion.” In doing so I see my pictures as personal insights. Sometimes surreal and crazy, sometimes playful and associative or also conceptual and artistic – but always combined with great, playful delight in creative experiment, new visual concepts and exciting compositions. My current work, which often has abstract elements, becomes apparent to the observer at various levels and keeps revealing new elements through intense observation and interaction.

Q: And how does that theme develop as a story throughout the project?

A: Constant change means to me to tread new paths in photography and art, to keep moving and to engage in different perspectives in creative thinking and photography. Especially the study of “Creativity and Fantasy” is an important element in my pictures and its influences besides my artistic activities. Also the thinking behind my workshops at the Leica Academy Masterclasses in Wetzlar, Germany.

Q: Is the project purely for yourself or do you have a commercial or cause-related end in mind?

A: All the pictures shown here are original works. My goal is to work without any outside interference as much as possible. Only then I am able to convey my personal thoughts and ideas through photography. As for my work, I feel I’m more of a photo artist than a typical photographer. Most of the images in this gallery are for sale in limited editions.

Q: What photographic choices have you made; colour palette, composition, use of flash, etc.?

A: Quite a lot of my pictures finally come together in Adobe Photoshop. Because only Photoshop gives me the opportunity to realize my vision. Nevertheless, when taking photographs, I am always careful to get an ideal starting point. Think of the data from my Leica as modelling clay, from which my images are created in Photoshop.

Q: What particular aspects of workflow would you like to highlight?

A: My working method best resembles a classical collage where you compose layer by layer. In Photoshop this process is done with layers and masks. A crucial issue is always to find the right combination of pictures. Typically I have a good idea of the final result but I also like to be inspired by the photographs and their potential. Then I work step-by-step towards the final picture. Usually this iterative process takes several hours, but can also continue for a couple of days.

Q: What’s your vision for the project and how will you judge if you’ve been successful?

A: It is especially important to me to inspire the viewer of my pictures – to touch them emotionally. Ideally, they use their own fantasy to interpret their individual approach to an image. I know I’m successful when I feel other people interact and get involved with my pictures. One definition of art is that it leaves space for the viewer and I try to create that space in my work.

Q: Did any particular person or body of work influence or inspire you?

A: Although I see myself as a photo artist/photographer and admire, for example, the works of Man Ray or the sequences of Duane Michals, I would say that the creative and innovative ideas of modern art have influenced me most. In this context I want to mention artists like Marcel Duchamp, Jackson Pollock, Mark Rothko or Robert Rauschenberg.

Dealing with the topic of creativity had a very important impact on my work. To be aware of the possibilities of creative techniques and then to embed them actively into the development process, has influenced me in a significant way. Many of my thoughts and ideas are included in my book “Kreative Fotopraxis“ and are also part of my workshops for the Leica Academy Masterclass.

Q: What Leica equipment do you use and how is it particularly suited to the needs of this project?

A: At the moment I work quite a lot with the Leica M (240) and I am especially fond of the Summilux 50 mm. I shot many of the close up structures with a Leica D-Lux. I am a great fan of lightweight equipment, especially the feeling of having only one lens to hand, which forces us to see differently and strengthens our perception.

Thank you for your time, Robert!

-Leica Internet Team

The Leica Meet recently published a book “The Leica Meet A Selection of Excellence 2014” that is  featured on our 2014 Holiday Gift Guide.

To see more of Robert’s work, visit his website and Facebook page, or click here to order his book.

Robert Mertens is a photo artist, author and trainer in photography and visual creativity. After a traditional education as a photographer, then working in advertising agencies and studios for commercial photography, he became a freelance photographer in 1989. His knowledge of analogue technology and photo processing, as well as his interest in the possibilities offered by the new technology Desktop Publishing, were the starting point for his shift towards individual art-based projects.

Olaf Willoughby is a photographer, writer and researcher. He is co-founder of The Leica Meet, a Facebook page and website growing at warp speed to over 5,300 members. In June 2015, Olaf will be co-teaching ‘Visual Conversations’, a creative photography workshop with Eileen McCarney Muldoon at Maine Media College in Rockport. If you have an intriguing project or body of work, completed or in progress, that we might feature, contact Olaf at: olafwilloughby@gmail.com or www.olafwilloughby.com.

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