Pedro Ferreira on the Leica Apo-Summicron-M 50 mm f/2 ASPH.

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  • Very interesting approach. I really like the pictures, but I would never consider using the Leica M9 for studio photography.

  • Personally, I cannot get anything out for myself from this kind of photography. First of all, fashion photography is very commercial, it’s closer to advertising than to art (not saying that advertisement cannot be art). And then there’s this weird look you get when you use artificial light. It may be technically perfect, but it’s not for me.

    It’s nice there’s professionals like him who can justify to spend that much money on expensive Leica equipment. It keeps Leica alive.

  • At the bottom of the wood, on the beach, in the theater, in the studio, in the streets, round the table at the pub. All you need is a Leica

  • If it works for him for sure it will work in a capable hands, and you cannot really say it will not work until you use on.

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